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It's not dead on portraiture but I think it captures the feel of the moment quite well. And I think I have come quite a ways from having actual terror at the thought of trying to paint people. It's why I really only worked on animals for so long. There is a familiarity that people have of faces that they apparently don't have for animals.
As far as confidence goes, mine is pretty high right now. There is always a certain amount of uncertainty and questioning that goes on when you attempt something new and this piece was definitely a step away from what I am used to. But it has helped me discover that you don't have to be completely comfortable with something to find out you can do okay at it. (Jeebus, I sound like an After School Special. Or South Park. "You know, I learned something today...") Oddly, I had already figured that out as far as my life goes but for some reason I had never applied this philosophy to my art. Well, now I am. Along with the mermaid, I have another commission. This one is a landscape of a hotel in Scotland. A coworker of my wife, a native Scot, has a favorite vacation spot back home and would like a painting of it. It's going to be an odd size (4"x10") but therein lies the next challenge. I don't have the odd size ready for the hotel so I may post about the mermaid next but we'll see. It is going to be an interesting month or two.
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